
That’s a deer silhouette just beyond the last tree on the point.
Then behind, on the mainland, there’s a jet (which I’m pretty sure you won’t see at web size) above the clouds over the pointed peaks of the ‘Lions’.
Salt Spring Photographer John Cameron

That’s a deer silhouette just beyond the last tree on the point.
Then behind, on the mainland, there’s a jet (which I’m pretty sure you won’t see at web size) above the clouds over the pointed peaks of the ‘Lions’.
Cameron thought I might like to photograph it on a piece of white paper placed on the deck. Good idea. But he was fast asleep before I was finished…

If you’ve spent time waiting at the Vesuvius Terminal—and who hasn’t—you’ve probably watched the light play on this artwork. If not, be sure to check it out. In this photo though we’re looking through the cutouts in one of the metal fence panels and seeing bits of a building behind.
We often credit architects for ‘seeing’ the sightlines inside a building before the building has, well, been built. I wonder if the same is true in this case? Did the metal fabricator plan this see-through effect?
This short rainforest trail is currently struggling with the effects of substantial tree cutting on both neighbouring properties. And beavers continue to put their stamp on the west end of the trail, occasionally flooding the bridge and the low section of trail.

The sky colours are more intense during civil twilight* than they are after sunrise, as shown in the above photo taken from Fernwood Pier.
There’s a beam of light in the sky and reflected in the water; apparently this is called a sun pillar. And to the right, an aging condensation trail from a high flying jet.
* definitions about the three twilights at Wikipedia
Photographs of Salt Spring Island and areas reachable by ferry and road (and sometimes off-road).