
I’m thinking that the black and white conversion below might not translate well on some screens, but at full size, the texture and detail come alive here on a 5K screen:

Salt Spring Photographer John Cameron

I’m thinking that the black and white conversion below might not translate well on some screens, but at full size, the texture and detail come alive here on a 5K screen:



p.s.
We’ve seen also seen the view from this beach in a moment of stunning colour.

OK, here’s a Salt Spring Island home and a half. We stopped by for a few evening/night photographs and I’ve got to say that this is one of the most interesting homes on the Island.It could be because we were there on a gorgeous clear warm evening and just kept shooting and shooting — until well after dark (I’ve now delivered a total of 44 images of this home to Sotheby’s). Standing on the tile over concrete deck, we could feel the day’s warmth radiating from below and from the rock wall of the house itself. The whole front of the home opens up to a panoramic ocean view.

Cameron thought I might like to photograph it on a piece of white paper placed on the deck. Good idea. But he was fast asleep before I was finished…

If you’ve spent time waiting at the Vesuvius Terminal—and who hasn’t—you’ve probably watched the light play on this artwork. If not, be sure to check it out. In this photo though we’re looking through the cutouts in one of the metal fence panels and seeing bits of a building behind.
We often credit architects for ‘seeing’ the sightlines inside a building before the building has, well, been built. I wonder if the same is true in this case? Did the metal fabricator plan this see-through effect?
Photographs of Salt Spring Island and areas reachable by ferry and road (and sometimes off-road).